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Dub over I Know What You Are

21 lines 2 characters 1:45 of footage Free · no account · phone or desktop

Still from I Know What You Are, a scene in Twilight

Beware the amount of breathing

The scene

The forest confrontation from Twilight, where Bella finally lays out everything she has noticed about Edward and he makes her say the word herself. Bella has fourteen of the twenty-one lines, and a remarkable number of them are not words at all: the cue sheet gives her six separate gasps, ranging from a small one to a sudden sharp one to a frightened one. Edward gets seven lines, nearly all of them short and low. He offers an age, a two-word evasion about how long he has been that age, and then three different ways of telling her to say it — under his breath, whispered, stern.

What makes this fun to dub is how seriously the original takes itself. Every pause is loaded, every intake of breath is a plot point, and the whole thing moves at the pace of someone deciding whether to jump into cold water. The first half is a slow inventory — speed, skin, eyes, old-fashioned speech, no eating, no sunlight — and the second half tightens into a push-and-yield where Edward presses and Bella gives up one word. You can play it hushed and sincere, or you can treat the breathing as the main event. Both work.

Who you'll be playing

🎭 Bella · 14 lines 🎭 Edward · 7 lines

Lines you'll be taking

Bella[Gasps] You're impossibly fast... and strong...
BellaYour skin is... pale white and ice cold...
BellaYour eyes change color... [small gasp]

There are 18 more waiting in the studio.

Performing it

The trap is the opening inventory. Bella's first five lines are long and full of ellipses, and the picture holds on her face, so rushing them leaves you sitting in silence for the back half of each cue. Slow down. Then commit to the gasps: there are six, and a half-hearted one is worse than a big one. Edward's job is restraint until the trio of commands, which should build in intensity rather than volume. This splits cleanly in a two-player room — one talker, one pressure — and the obvious comic angle is to give the gasps far more effort than the words.

The dialogue is muted and everything else stays — the score, the room, the picture. You record each line over the silence and the scene plays back with you in the cast. How a dub is made · what the score measures.

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9 dubs of this scene have been posted so far. The most voted:

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