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Dub over The Moto Moto Song

14 lines 3 characters 0:51 of footage Free · no account · phone or desktop

Still from The Moto Moto Song, a scene in Madagascar

Take over every line of The Moto Moto Song and see how close you can get.

The scene

Moto-Moto's entrance in Madagascar 2, fifty-one seconds of the smoothest hippo in Africa announcing his preferences. A bystander hippo gets two lines of warning, Gloria gets three, and Moto-Moto gets nine — the first four of which are a sung, half-rapped list of what he likes, all of it a variation on big. Then he compliments Gloria's size to her face, she asks whether his friend is actually his backside, he explains that his name is good enough to say twice, and she calls him a name that he takes as a compliment.

It is body-positive flirting delivered in a voice so deep it is practically a sound effect, and that voice is the whole point of dubbing it. The sung lines have a lazy, bouncing rhythm rather than a melody, so you do not need to be able to sing — you need to be able to rumble. Gloria's lines are the counterweight: sharp, amused, a little insulting, and she gets the last word in the exchange even though he gets the last line. Short, silly, and one of the few scenes where a laugh is written as a super-deep-voice cue.

Who you'll be playing

🎭 Hippo · 2 lines 🎭 Moto-Moto · 9 lines 🎭 Gloria · 3 lines

Lines you'll be taking

HippoLook out! I think Moto-Moto likes you
HippoHere he comes
Moto-MotoI like em Big. i like em chunky

There are 11 more waiting in the studio.

Performing it

Drop your voice as far as it will go before you start; Moto-Moto is a bass part and going low after the first line is too late. The four sung lines share a beat — find it on the first and ride it. The deep laugh cue is a separate moment, not a throwaway. Gloria's backside line is quick and dry and the one people rush; land the pause before the second half. Her final jab should sound fond. The name-said-twice line is the memorable one, so give it room. In a two-player room Gloria versus Moto-Moto is the obvious split; solo, the swing between bass rumble and sharp retort is the challenge.

The dialogue is muted and everything else stays — the score, the room, the picture. You record each line over the silence and the scene plays back with you in the cast. How a dub is made · what the score measures.

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From the gallery

30 dubs of this scene have been posted so far. The most voted, in the performers' own words:

Every dub of The Moto Moto Song →

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